All Episodic Video Reviews Available on Youtube
From bar brawls to multiversal mayhem, Peacemaker Season 2 is James Gunn unchained — a chaotic, hilarious, surprisingly heartfelt rollercoaster that proves peace really does come at a price… and sometimes that price is your sanity.
Our favorite musclebound philosopher of violence, Christopher Smith — aka Peacemaker — returns for another round of bullets, bad decisions, and emotional baggage. Season 2 picks up after the chaos of Season 1’s butterfly invasion and cranks everything up to “multiverse meltdown.” Between resurrected dads, alternate worlds, and a Justice League cameo that feels more roast than reveal, this season is a love letter to DC absurdity and redemption stories alike.
Let’s just say this right now: Peacemaker Season 2 is the most James Gunn thing James Gunn has ever done. It’s dark, it’s twisted, it’s got jokes that will make you cackle and moments that will unexpectedly punch you right in the heart.
We kick things off with Peacemaker trying to survive his own reputation — literally — as multiverse shenanigans bring back versions of his dad, brother, and even himself. Gunn uses the chaos not just for laughs, but for character growth. Underneath all the crude humor and exploding heads, there’s a sincere story about identity, guilt, and second chances.
John Cena once again nails it. He’s buff, broken, and bizarrely endearing — a walking contradiction who’s equal parts comedy and tragedy. Danielle Brooks (Adebayo) continues to be the emotional glue, adding heart to the team’s dysfunction. Jennifer Holland’s Harcourt shines too, especially with that ongoing “will-they-won’t-they” tension that finally pays off in this season’s more mature, emotional beats.
The returning squad — Vigilante, Eagly, Economos (aka “John”), and a few wild new recruits — make every episode pop. But the real scene-stealers are the cameos. Rick Flag Sr. (Frank Grillo) brings a gritty edge, while Lex Luthor’s prison scene teases the wider DCU future in classic Gunn fashion — meta, mischievous, and just grounded enough to work.
The writing this time around feels tighter and more confident. Every episode has a rhythm — flashback, chaos, heart, joke, violence — and somehow, it never gets old. Gunn balances ultraviolence with humanity in a way only he can. Whether it’s a Nazi America twist, a candyland nightmare, or a bird-on-human beatdown courtesy of Eagly, it all lands because the characters sell it.
Production-wise, Season 2 goes bigger without losing that grungy, low-budget charm. The soundtrack? Still elite. The camera work? Sharper, cleaner, more cinematic. And that Foxy Shazam finale performance? Straight-up legendary — the kind of bold, “only Gunn could do this” energy that separates Peacemaker from every other DC show.
What makes this season stand out, though, is the shift in tone. Season 1 was about atonement. Season 2? Acceptance. Chris finally stops trying to prove he’s the hero and instead learns to just be — flaws, trauma, and all. It’s a surprisingly beautiful evolution for a guy whose first on-screen kill involved a toilet seat.
And that ending… bittersweet perfection. Chris being thrown into “Salvation” sets up an intriguing Season 3 — one that could explore freedom, redemption, and the cost of peace in a new way.
Peacemaker Season 2 isn’t just a sequel — it’s an upgrade. It’s funnier, bloodier, and emotionally richer. Gunn delivers chaos with conscience, giving DC a show that’s as meaningful as it is mental. A near-perfect blend of absurd humor and genuine heart.
