Bad Man follows Bobby Gaines (Seann William Scott), a tough-as-nails state cop with a sharp tongue and an even sharper trigger finger. When he’s paired with wide-eyed rookie Tyler (Johnny Simmons), the unlikely duo find themselves knee-deep in a case that’s equal parts comedy, chaos, and old-school shootouts. What starts as a buddy-cop romp soon twists into something bigger—a tale of revenge, loyalty, and one explosive showdown.
Seann William Scott is back, and it feels like he never left. His Bobby Gaines is basically Stifler with a firearm—but funnier, meaner, and somehow more lovable. Scott chews up every scene, proving he’s still got comedy in his DNA but with a sharper edge.
Johnny Simmons, who many still remember from Scott Pilgrim vs. The World, nails the role of the innocent rookie. His “trying too hard to do the right thing” routine balances Scott’s chaos perfectly, and his side plot with a little romance adds unexpected charm.
Rob Riggle—need I say more? The man is comedy royalty, and every time he’s on screen, you can’t help but grin.
A special mention to Chance Perdomo, who tragically passed away before this film’s release. As DJ, he brings surprising comedic chops and a warmth that makes his scenes bittersweet to watch. It’s a reminder of what more he could have brought to comedy.
Michael Diliberti makes his directorial debut here, and for a first-time filmmaker, he flexes confidence. The pacing never drags, the comedic timing lands clean, and when the story shifts gears into western-style grit, the camera follows with dusty wide shots and intense close-ups that feel cinematic and bold.
What really works about Bad Man is its balance. On one hand, you’re laughing your head off at Scott’s unfiltered bravado, Simmons’ earnest rookie energy, and Riggle’s usual brilliance. On the other, the movie is layered with themes of brotherhood, revenge, and homecoming, which give it surprising weight.
The big twist involving Bobby flips the tone just enough to make the finale feel fresh, and by the time the film leans into a western-style standoff, you’re invested in both the comedy and the stakes. The ending is climactic, satisfying, and doesn’t overstay its welcome.
Overall, Bad Man is a ridiculously fun watch. It’s the kind of movie that delivers the laughs you expect, but also throws in a few punches (literally and narratively) that remind you it’s more than just a buddy cop comedy.
