Based on Capcom’s legendary hack-and-slash franchise, Devil May Cry storms onto Netflix with all the chaotic energy of a caffeine-fueled speedrunner. This time, we follow a young Dante—demon hunter, pizza connoisseur, and professional trash-talker—on a mission to do what he does best: slay demons with an ungodly amount of flair. But things get extra spicy when biblical elements enter the mix, and Dante finds himself in the crosshairs of the sinister White Rabbit—a villain yanked straight from Alice in Wonderland and injected with pure nightmare fuel. If you’re looking for stylish action, ridiculous one-liners, and enough blood to make Dracula say, “Damn, that’s a lot,” then this is your show.
Let’s talk about the Dante—because Johnny Yong Bosch absolutely nails it. If you remember Dante from Devil May Cry 3—cocky, reckless, all punk rock and zero planning—Bosch channels every ounce of that chaotic energy. He brings Dante to life with just the right balance of swagger, sarcasm, and demon-slaying charisma.
Then there’s Kevin Conroy. Yes, that Kevin Conroy—our Batman, our legend. This was one of his final performances, and it is phenomenal. His voice carries so much weight and authority, a fitting farewell for an icon. They handled his role with care and respect, making this series even more special.
White Rabbit, though? Pure insanity. This character, pulled from the DMC manga, is a deliciously twisted villain—menacing, unpredictable, and genuinely unsettling. He’s voiced with such eerie dedication that you can’t help but love to hate him. A bloodthirsty maniac who looks like he fell straight out of Wonderland? Yes, please.
Studio Mir. That’s it. That’s the section. These guys are wizards when it comes to animation, and Devil May Cry is no exception. The blend of cel-shading with fluid, high-energy movement? Perfection. Every fight sequence is a visual treat, with cameras zooming and tracking Dante’s chaotic combat like it’s a dance of destruction.
The soundtrack—oh man, the soundtrack. This is peak DMC energy. You get those grungy, headbanging, “kick a demon in the teeth” tracks featuring Limp Bizkit and Green Day, while the orchestral horror pieces creep in at just the right moments. And then? Amy Lee. Yes, that Amy Lee. Her original song slaps hard, fitting right into the brooding yet bombastic tone of the show.
Oh, and the intro theme? Never. Skipped. Once. Not even by accident. If you say you skipped it, you’re lying.
This series does a lot right. First off, it’s an Easter egg paradise. We’re talking Raccoon City shoutouts, Captain Commando appearances, and boss cameos from all over the franchise. Long-time DMC fans? You’re eating good.
Then there’s the story. Unlike the games, which mostly revolve around Dante making demons regret their life choices, this series actually explores biblical angles. That’s new. That’s different. And surprisingly? It works. It gives the world more depth, adding a mythological twist that makes the stakes feel even grander.
And the action? Unhinged. Gore? Everywhere. Explosions? Constant. Beheadings? Like it’s on a to-do list. If you came for stylish violence, you’ll leave satisfied.
Special shoutout to Episode 6. This one is a work of art. Shot in black and white with only key colors highlighted, no dialogue—just a stunning sequence backed by an emotional soundtrack. It tells a gut-wrenching story about Mary and the White Rabbit through pure visuals and music. It’s haunting, beautiful, and easily one of the best episodes in the series.
Netflix’s Devil May Cry isn’t just a solid adaptation—it’s a love letter to fans. It’s stylish, violent, packed with fan service, and dripping with attitude. It captures everything that makes DMC so iconic, from the over-the-top combat to Dante’s devil-may-care (pun absolutely intended) personality. If you love the games, you’ll love this. If you love action, you’ll love this. If you love unhinged demon-slaying with an absolute banger of a soundtrack? Welcome home.
